
Going beyond the four walls, Outside is the latest spin-off from the Sidemen's smash-hit series Inside. A new group of content creators are thrown into the forest to battle for a prize of up to £1 million — with every comfort eating into the pot.
Take the Sidemen's Inside, move it to the forest, and start subtracting comforts from a £1 million prize. Outside is the latest spin-off from one of YouTube's biggest success stories: a new group of content creators thrown into the woods, facing brutal decisions, unpredictable challenges, and plenty of Sidemen mischief as they fight to keep hold of the cash. It is the creator economy's answer to the survival game show, and it knows exactly who it is for.
The format has a genuine hook. The prize-pot mechanic — every comfort eats into the winnings — turns every decision into content: do you sleep in a bed or keep the money? It is a clean, televisual dilemma, and the show is smart to build its entire structure around it. The creators-versus-wilderness setup generates the fish-out-of-water comedy the audience came for, and the Sidemen's fingerprints are all over the mischief — the challenges have that specific, chaotic, friend-group energy that the main channel perfected.
Outside is Netflix's 2026 reality competition series from the Sidemen — the British YouTube collective that has spent a decade turning friendship into an empire. Announced at the Edinburgh TV Festival, it's a spin-off of the group's hit format Inside, and the concept is a one-word inversion: take the controlled-house competition and move it into the wilderness. Twelve content creators are dropped into a forest camp to battle for a share of a prize pot of up to £1 million — but every comfort they choose, from a proper meal to a warm bed, is deducted from the winnings. The players face brutal decisions, unpredictable outdoor challenges, and the temptations of "the Shop," all while scheming to keep hold of the cash.
The first season runs eight episodes in a staggered rollout — five were available in the first week of October 2026 — and it premiered September 28, 2026 on Netflix. The show was filmed at a remote location in England in early 2026, over a few weeks of principal photography.
The twelve contestants are the competitors — not the seven Sidemen themselves, who created the show and appear as its hosts, challenge-setters, and resident chaos agents. The cast is a cross-section of the UK creator economy: Chloe Veitch (the Too Hot to Handle breakout turned presenter), Louis Russell (also Too Hot to Handle), Matt "Legend" Morsia (the Gladiators star), Paigey Cakey (the UK rapper), Sara Saffari (fitness creator, the cast's biggest following), Dani Babes (comedy skits), TheBurntChip — Josh Larkin, the longtime YouTuber and Fellas podcast host — Heinz Baines, Moyo (the high-energy TikToker YourBoyMoyo), Kaci Jay (of the Dad V Girls YouTube family), Lacy (the Twitch and Fortnite streamer Nick Fosco), and Yonna Ray.
It's a canny mix: reality-TV veterans who know how to play the game, fitness creators who can actually survive the physical challenges, and comedians who'll be funny even when they're miserable. The Sidemen's own lineup — Ethan "Behzinga" Payne, Harry "W2S" Lewis, Joshua "Zerkaa" Bradley, Olajide "KSI" Olatunji, Simon "Miniminter" Minter, Tobi "TBJZL" Brown, and Vikram "Vikkstar123" Barn — built the format and run the mischief from the sidelines.
What works is the dilemma engine. The prize-pot mechanic is one of those rare reality formats that generates story without producer intervention — every purchase is a betrayal of the group's collective winnings, which means every meal is a negotiation and every comfort is a confession. The forest setting does real work too: it strips away the controlled-house safety net and replaces it with weather, mud, and sleep deprivation, which are the oldest reality-TV producers in the business.
What doesn't: the 3.7 TMDB rating is the number for a show with a ceiling made of its own premise. This is fan-service television: if you are deep in the Sidemen universe, the in-jokes and personalities carry it; if you are not, there is very little here to convert you. The reality-TV grammar — the confessionals, the manufactured twists, the challenge-of-the-week rhythm — is executed competently but never transcended. And the forest setting, while a fun inversion of Inside's house, mostly means the same dynamics with worse plumbing.
Who it's for: the Sidemen faithful, first and always. If you watched Inside's third series climb to number one in more than ten countries earlier this year, you're already watching. Everyone else: this is a perfectly fine survival-game show wearing a fandom's clothes.
Outside landed the way franchise extensions usually land: huge with the base, invisible outside it. Netflix's unscripted chief in the UK, Syeda Irtizaali, pitched it as having "all the drama of Squid Game: The Challenge but with all of the Sidemen comedy" — which is honest about what it is. The audience scores reflect the divide: beloved by the fandom, shrugged at by everyone else. Within days of launch it was already generating the full modern reality-show weather system — clip culture, contestant livestreams, and at least one alleged winner leak from an ill-advised livestream moment that the tabloids gleefully amplified. Whether that leak was real or a wind-up (insiders claimed the latter), it did what these moments always do: kept the show in the conversation.
Culturally, Outside is a data point in the biggest media story of the decade: the YouTube-to-television pipeline. The Sidemen built an audience bigger than most TV networks without ever needing one, and spin-offs like this are the empire phase — the moment the creators become the studios. Inside's success proved the group could make appointment television; Outside proves they can franchise it.
The survival-game format is having its own moment, from streaming competition shows to the endless appetite for watching famous young people suffer mildly. And Netflix is treating the property like the event it is for its audience: days before launch, the show's in-world "Shop" took over BOXPARK Shoreditch for a day, offering the public £50,000 in prizes and a taste of the stick-or-twist decisions the contestants face. Outside is not trying to be prestige TV; it is trying to be the thing its audience watches together, and on those terms it mostly works.
Verdict: D+ — Inside's scrappier sibling: fun if you're already a stan, skippable if you're not.