SATURDAY, OCTOBER 10, 2026
Riley Green just announced the kind of tour that tells you where a career is. The 29-date That’s Just Me Tour runs April 1 through July 31, 2027 — Spokane to Milwaukee, the U.S. and Canada — with four special guests rotating through the bill and a charity angle that’s more personal than promotional: $3 from every single ticket, split between local schools and the foundation named for his grandfathers.
The shape of the run: it opens Thursday, April 1 at Spokane’s Numerica Veterans Arena, then Seattle and Eugene before crossing the border for Edmonton, Calgary and Saskatoon. The spring and summer legs sweep the South and Midwest — Raleigh, Knoxville, Greenville, Fort Worth, Wichita, Rogers, Tulsa’s BOK Center on May 20, Dallas, Lafayette, Brandon, Orange Beach and Mt. Pleasant, plus Toronto on June 11 — before closing Saturday, July 31 at the American Family Insurance Amphitheater in Milwaukee.
Green isn’t riding alone, and the company is serious. Muscadine Bloodline, Randy Houser, Jake Worthington and Hannah McFarland rotate through the bill as special guests — Worthington and McFarland are on the full 29-date run, while Muscadine Bloodline and Houser cover alternating legs of the itinerary. It’s a bill built for the traditionalist lane: Houser’s baritone and Muscadine Bloodline’s dual-harmony grit are exactly the audience Green has been assembling show by show.
The album behind the name
The tour takes its name from Green’s fourth studio album, That’s Just Me, released September 18 through Nashville Harbor Records & Entertainment and co-produced by Green with Dann Huff. It follows 2024’s Don’t Mind If I Do and arrived with Green knocking on the door of No. 1 — the kind of commercial momentum that turns a club-and-theater act into an arena-and-amphitheater one.
That’s the real story of the routing. The “Worst Way” singer isn’t stretching to fill these rooms; he’s catching up to an audience that got bigger while he was out on the road. A 29-date spring-to-summer run with four guests is what a headliner books when the rooms sell themselves.
“Friday Night Lights,” for real
The tour’s signature move has nothing to do with the stage plot. Green is partnering with local schools in tour markets to build a “Friday Night Lights” atmosphere around each announcement — marching band performances, pep rallies, choreographed cheer and dance routines, banners, original artwork and student-created content, with the schools’ own spins on Green’s music folded into the local rollout.
Then there’s the money. One dollar from every ticket sold goes to each participating school to support student and school programs, and another $2 from each ticket supports the Buford Bonds Charitable Fund — the foundation Green established in 2023 in honor of his late grandfathers, Buford Green and Lendon Bonds, which supports veterans organizations and other nonprofits. It fits: Green played football in high school and quarterbacked at Jacksonville State University before music took over, and his grandfathers’ influence runs through his songwriting — the fund’s name comes from the same family story behind fan favorite “I Wish Grandpas Never Died.”
It’s a smart structure beyond the goodwill. Tying each market’s schools into the announcement makes every stop feel local before a single ticket is scanned — and $3 a ticket across 29 arenas and amphitheaters is real money.
The Canadian swing gives the run genuine two-country scope — Edmonton’s Rogers Place, Calgary’s Scotiabank Saddledome, Saskatoon’s SaskTel Centre and Toronto’s RBC Amphitheatre, with the Toronto date set for June 11 per Live Nation’s listing, which has Muscadine Bloodline, Jake Worthington and Hannah McFarland on the bill. The summer leg lands squarely in amphitheater season, which is where country tours make their money and their reputations.
The man in the middle of the bill
Green is stacking the tour on top of a schedule that’s already full. He’s currently out on his 2026 Cowboy As It Gets Tour and serving as a coach on NBC’s The Voice — which means he’ll roll straight from television exposure into the biggest headline run of his career. The presale for That’s Just Me opened through his Back 40 Duck Club on September 29, with additional presales through the week ahead of the October 2 general on-sale; VIP packages include meet-and-greets, premium tickets and the VIP lounge.
Country fans in Oklahoma will notice the Tulsa date — May 20 at the BOK Center — in a market that’s been in the headlines after Ella Langley’s Tulsa show was canceled over a security threat. Langley, who opened Green’s 2024 Ain’t My Last Rodeo Tour, is one of the genre’s defining voices right now; the BOK Center getting Green next spring keeps Tulsa’s country calendar moving.
That’s Just Me — 4th studio album, Sept. 18, Nashville Harbor; co-produced with Dann Huff. “Friday Night Lights” partnerships: pep rallies, marching bands, student art in tour markets.
