Four days before the release of Heavy Is the Crown, the joint album from Cordae and Anderson .Paak due October 23, Cordae has been sued by a former business partner in a dispute over who owns his music. MMMG Inc. filed its complaint on Thursday, October 15, according to Billboard, which obtained the filing; the suit asks for at least $25 million in total damages and an injunction, according to the complaint as reported by Billboard and covered by KJWL and MiixtapeChiick.
According to the complaint, MMMG says it signed Cordae to an exclusive deal in 2018 and released his first two albums with distribution through Atlantic Records. MMMG claims, per the filing, that it owns 100 percent of the copyrights in his recordings, along with sole rights to his merchandising, touring and endorsements. On that basis, MMMG seeks at least $15 million for alleged breach of contract and $5 million for alleged copyright infringement, according to the complaint. The filing also seeks at least $5 million from EMPIRE, APESHIT and Mass Appeal — the labels behind Heavy Is the Crown — for alleged interference, and asks the court for an injunction, according to Billboard's account of the complaint.
Cordae's side disputes the foundation of the case. According to the coverage of the filing, his lawyers say the contract became invalid after his distribution moved from Atlantic to Stem in 2025. The complaint, as reported, says Atlantic ended its distribution deal on September 2, 2025, and that MMMG lined up Stem within days under a contract provision allowing six months to secure a new distributor; Cordae's lawyers dispute that the Stem arrangement met the deal's requirements. MMMG's complaint characterizes their position as "utterly lacking in merit," according to the complaint as quoted in coverage. The 20-page complaint was filed in New York federal court, according to MiixtapeChiick and Music Times, and while APESHIT — the label Anderson .Paak operates — is a defendant, .Paak himself is not personally named in the suit. MMMG also says, per the reporting, that it sent a cease-and-desist letter when Heavy Is the Crown was announced in August and that the letter was rebuffed — a detail that frames the October filing, days before release, as the escalation of a dispute that has been running behind the album campaign for months.
Those are claims in a lawsuit, and they are presented here as exactly that. No court has ruled on the validity of the 2018 agreement, the ownership of the recordings, or the interference allegations, and Cordae has not been found liable for anything. What the filing establishes is a genuine, high-dollar fight over the business structure underneath one of the fall's most anticipated rap albums — and the timing, four days before release, guarantees the legal story and the music story will now travel together.

The album at the center of it deserves its own paragraph, because on the merits it is a significant record. Heavy Is the Crown, due October 23 via APESHIT, Mass Appeal and EMPIRE, pairs Cordae with Anderson .Paak, a collaboration with a long public history: the two first linked on "RNP" from Cordae's 2019 debut The Lost Boy, reunited for "Two Tens" and "Summer Drop," and performed together at the BET Awards and on The Tonight Show. The album's lead single, "A Good Day," arrived in September with a Dave Meyers-directed video starring Jennifer Freeman that plays as an homage to Friday, according to Billboard Philippines, which also noted the song's echoes of Bill Withers' "Lovely Day" and its Fatman Scoop ad-libs.
The stakes of the suit, as MMMG frames them, reach back to the very beginning of Cordae's career. If the 2018 deal is what MMMG says it is — exclusive, comprehensive, and covering recordings, merch, touring and endorsements — then the complaint puts a claim on the catalog that made him, including the Lost Boy era that produced "RNP," the first Cordae and .Paak collaboration. If Cordae's position is right, and the agreement died when the distribution relationship changed in 2025, then the filing is an expensive interruption in the launch week of an album released through entirely different partners. The court, not the rollout, will decide which account is correct.
Ownership fights of this kind are a recurring fault line in hip-hop, where artists frequently sign comprehensive deals as teenagers or unknown quantities and spend their commercial peaks renegotiating, litigating or buying their way out of them. The specifics here — an alleged 2018 exclusive deal, a distributor switch, a cease-and-desist at announcement, a nine-figure-adjacent damages demand in release week — make this one of the more consequential examples in recent memory, and the injunction request means the album's release itself could, in theory, become part of the litigation. As of publication, no injunction has been reported as granted, and Heavy Is the Crown remains scheduled for October 23.
Previously will follow the case as it develops, including any response filed by Cordae's team and any court action on the injunction. In the meantime, the music arrives Friday: "A Good Day" is out now, and both artists' catalogs live in the Previously music library — the Music front has the week's full coverage, including Meek Mill's latest moves and Doechii's Swamp Sessions return.
Sources · 4 sources
- KJWL / Daypop (Billboard complaint) — Cordae Faces $25 Million Lawsuit Claiming Anderson .Paak Collab Album Breaches Record Deal
- XXL — Cordae Faces $25M Lawsuit Over Anderson .Paak Album
- Music Times — Cordae and Anderson .Paak's Album Faces $25 Million Lawsuit
- MiixtapeChiick — Cordae Faces $25M Lawsuit Over Anderson .Paak Album






